60 Frames, by Quinn Collins
Performed by: Rob Rocheteau, Russell Fisher, Elizabeth Danielle Chan
This performance took place during SoSI 2016 (Sō Percussion Summer Institute) at Princeton University.
If interested in SoSI 2017, you can find more information here!
(Application Deadline: February 1st, 2017)
Videographer: Evan Chapman
ABOUT THE COMPOSER:
Quinn Collins is a composer of rhythmically engaging acoustic and electroacoustic music who aims to combine rigorous formal schemes and processes with rock energy, occupying a space where brains and adrenaline collide. He earned a B.M. in composition in 2005 at the University of Cincinnati's College-Conservatory of Music, studying with Frederic Rzewski and Michael Fiday and completed his M.M. in composition at the University of Illinois, Urbana-Champaign in 2009, studying with Zack Browning, Erik Lund, and Scott Wyatt. Collins holds an M.F.A. from Princeton University, where he is currently a PhD candidate and has been a student of Louis Andriessen, Donnacha Dennehy, Paul Lansky, Steve Mackey, Dan Trueman, Dmitri Tymoczko, and Barbara White. He is also active as a bass guitarist, improvisor, film composer, and theatrical sound designer and is a member of the digital hardcore band The Miz'ries, described as "a noise band who improvises three minute pop songs" and "the music that plays in the club where the bad guys hang out" whose music is released by the label collective Belts & Whistles. His music has been performed by ensembles such as Mobius Percussion, The Living Earth Show, Dither, The Guidonian Hand, loadbang, Ogni Suono, Newspeak, and So Percussion. Upcoming projects include an album of improvised material with Rinde Eckert where he acted as guitarist, bass guitarist, and producer to be released on Underwolf Records. He is currently based in Philadelphia.
This site provides links to random videos hosted at YouTube, with the emphasis on random.
The original idea for this site actually stemmed from another idea to provide a way of benchmarking the popularity of a video against the general population of YouTube videos. There are probably sites that do this by now, but there wasn’t when we started out. Anyway, in order to figure out how popular any one video is, you need a pretty large sample of videos to rank it against. The challenge is that the sample needs to be very random in order to properly rank a video and YouTube doesn’t appear to provide a way to obtain large numbers of random video IDs.
Alternative random YouTube videos generator: vTomb
Even if you search on YouTube for a random string, the set of results that will be returned will still be based on popularity, so if you’re using this approach to build up your sample, you’re already in trouble. It turns out there is a multitude of ways in which the YouTube search function makes it very difficult to retrieve truly random results.
So how can we provide truly random links to YouTube videos? It turns out that the YouTube programming interface (API) provides additional functions that allow the discovery of videos which, with the right approach, are much more random. Using a number of tricks, combined some subtle manipulation of the space-time fabric, we have managed to create a process that yields something very close to 100% random links to YouTube videos.
YouTube is an American video-sharing website headquartered in San Bruno, California. YouTube allows users to upload, view, rate, share, add to playlists, report, comment on videos, and subscribe to other users. It offers a wide variety of user-generated and corporate media videos. Available content includes video clips, TV show clips, music videos, short and documentary films, audio recordings, movie trailers, live streams, and other content such as video blogging, short original videos, and educational videos. Most content on YouTube is uploaded by individuals, but media corporations including CBS, the BBC, Vevo, and Hulu offer some of their material via YouTube as part of the YouTube partnership program. Unregistered users can only watch videos on the site, while registered users are permitted to upload an unlimited number of videos and add comments to videos. Videos deemed potentially inappropriate are available only to registered users affirming themselves to be at least 18 years old.
YouTube and selected creators earn advertising revenue from Google AdSense, a program which targets ads according to site content and audience. The vast majority of its videos are free to view, but there are exceptions, including subscription-based premium channels, film rentals, as well as YouTube Music and YouTube Premium, subscription services respectively offering premium and ad-free music streaming, and ad-free access to all content, including exclusive content commissioned from notable personalities. As of February 2017, there were more than 400 hours of content uploaded to YouTube each minute, and one billion hours of content being watched on YouTube every day. As of August 2018, the website is ranked as the second-most popular site in the world, according to Alexa Internet, just behind Google. As of May 2019, more than 500 hours of video content are uploaded to YouTube every minute.
YouTube has faced criticism over aspects of its operations, including its handling of copyrighted content contained within uploaded videos, its recommendation algorithms perpetuating videos that promote conspiracy theories and falsehoods, hosting videos ostensibly targeting children but containing violent and/or sexually suggestive content involving popular characters, videos of minors attracting pedophilic activities in their comment sections, and fluctuating policies on the types of content that is eligible to be monetized with advertising.